Opinion

THE LAST WORD

The spoils of war

1066. Everyone knows this date in England, even people not sure what happened that year in which the English were utterly conquered by a foreign power

The Cata­lans are fa­mous for their na­tional cel­e­bra­tion of the worst de­feat in the coun­try's his­tory. Yet, there was some­thing so mo­men­tous about the fall of Barcelona in Sep­tem­ber 1714 that to allow it to just drift off into the his­tor­i­cal ether doesn't seem right. In a per­verse yet very ef­fec­tive sense, the loss of free­doms that were es­sen­tial for the func­tion­ing of an in­de­pen­dent en­tity, such as Cat­alo­nia, just served to strengthen the com­mon de­ter­mi­na­tion to get them back. In this ex­am­ple of na­tional ex­pres­sion the Cata­lans are unique. Aren't they?

Not ex­actly. The Eng­lish, too, are a na­tion that re­fuses to for­get a mo­men­tous his­tor­i­cal loss. 1066. Every­one knows this date in Eng­land, even peo­ple not sure what hap­pened that year in which the Eng­lish were ut­terly con­quered by a for­eign power. Which is just one of the rea­sons why some peo­ple still re­mem­ber back 950 years; for them it was the last time that Eng­lish free­doms would be taken away by for­eign­ers. Brexit, any­one?

But, 1066 is re­mem­bered for many rea­sons, even if it is just be­cause a 1930s hu­mor­ous book used the date for its title and suc­ceeded in fus­ing it into the mod­ern com­mon cul­tural con­scious­ness. What­ever the rea­son, it de­serves to be re­mem­bered, for it changed the coun­try and its cul­ture, for­ever. The very lan­guage I am writ­ing this col­umn in is a di­rect con­se­quence of Duke William of Nor­mandy's bold con­quest of Anglo-Saxon Eng­land.

An­other con­se­quence of the Bat­tle of Hast­ings in 1066 is a unique work of art that sits at the heart of this story of na­tional dis­as­ter and con­quest: the Bayeux Ta­pes­try. This 70-metre long hand-stitched em­broi­dery pro­vides one ver­sion of the story of William's vic­tory and, bear­ing in mind that the vic­tor gets to rewrite his­tory, the story it tells is far from a straight­for­ward cel­e­bra­tion of the Duke and his achieve­ment. In other words, ques­tions still hang over the art work, and it re­mains a key sub­ject of aca­d­e­mic study. As you can see from the ar­ti­cle on pages 42 and 43, a Cata­lan aca­d­e­mic has en­tered the fray, writ­ing a book that pro­vides a hy­poth­e­sis that sheds light on the ori­gins and pur­pose of the Ta­pes­try. What's more, Montser­rat Pagès's book comes with an Eng­lish trans­la­tion at the back, mak­ing it ac­ces­si­ble in a way that would be great to see in more Cata­lan pub­li­ca­tions.

I en­cour­age you to check out the ar­ti­cle if you haven't al­ready, it is a great start­ing point for fur­ther ex­plo­ration of this event nearly a thou­sand years ago and for piquing in­ter­est in one of the world's great his­tor­i­cal trea­sures.

The Bayeux Tapestry Pages 42-43
It is a hand-stitched embroidery made in the Anglo-Saxon city of Canterbury in the years following Duke William of Normandy's conquest of England in 1066. Much like a modern comic strip, the Tapestry tells the story of the conquest, including the Battle of Hastings, in which the English King Harold was slain with an arrow to the eye. This year is the 950th anniversary of the historical event, and despite hundreds of years of reflection on what happened and why, questions still remain about the conquest and the tapestry made, presumably, to celebrate it.A key area of study among English academics, it is good to see foreign, and in this case Catalan, historians getting involved. Montserrat Pages's book on the Tapestry is a welcome addition to the field of Hastings studies and the inclusion of an English translation makes it all the more relevant and accessible.
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