Interview

Taking tradition to the stage

Ketevan Kemoklidze Every Friday evening on El Punt Avui Televisió, Nicole chats with an English-speaking expat. For this month’s interview, she had a chat with Georgian opera singer Ketevan Kemoklidze.
You’re from Geor­gia?
Yes, a very beau­ti­ful coun­try, spec­tac­u­lar na­ture and won­der­ful cul­ture, and wine and food and spe­cial music. We have great Geor­gian Folk music. It’s thanks to this great Geor­gian tra­di­tion of music that I’m singing and lots of Geor­gian peo­ple are singing.
It’s so nice to see some­one so pas­sion­ate about their home coun­try! Now you live in Barcelona?
Yes, my hus­band is a pro­fes­sor at a uni­ver­sity so we have been here two years. We live here with our son, who’s like a kind of Cata­lan! He speaks Cata­lan very well and goes to school here.
Does your son feel like he has Geor­gian roots or does he feel more Cata­lan?
Here, he’s proud of being Geor­gian and in Geor­gia he’s proud of being Cata­lan. Ap­par­ently, he tells his friends at school lots of beau­ti­ful sto­ries about Geor­gia and when he’s in Geor­gia he tells every­one that Barcelona is the best city. And I agree with him!
That’s won­der­ful, he has the best of both worlds. How do you find life here? Do you miss home?
I feel like it is home here. I have al­ways dreamed of liv­ing in Barcelona, so I’m happy to be here. I love the city, I love the peo­ple. They’re so help­ful and so warm. And I love the sun and the sea.
You’re a Mezzo-So­prano. How do you get into some­thing like opera singing?
As I said, in Geor­gia we have a great mu­si­cal tra­di­tion and I was singing Geor­gian Folk songs. The Geor­gians are al­ways singing, through war and peace, we are al­ways singing. I was also learn­ing the piano and singing in the choir at school. I was ad­vised to try op­er­atic singing, so I did and con­tin­ued. I al­ways en­joyed being on the stage and opera is the best way to mix it all to­gether.
Had you been to an opera be­fore you started singing it?
Yes, my fam­ily enjoy going to the opera very much. I’ve been going since I was very young.
You were the win­ner of the Plácido Domingo Op­er­alia in 2009?
For me, and I’m not the only one, I feel that this is the most im­por­tant com­pe­ti­tion. You get the op­por­tu­nity to meet the great Plácido Domingo. Then he of­fers young singers lots of pos­si­bil­i­ties, as he in­vites a lot of im­por­tant di­rec­tors from Opera Houses.
There’s a se­lec­tion process, and only 40 young singers from around the world are se­lected.
It was some­thing I thought I could only dream about, so it was amaz­ing.
Was this a break­through mo­ment for you?
Yes, it was. Be­fore the com­pe­ti­tion I was singing pro­fes­sion­ally on the stage. I had al­ready made my Span­ish debut. But after Op­er­alia a lot of doors opened. A lot of the­atres in­vited me. I went to Madrid, Covent Gar­den, a lot of the­atres in­vited me.
You’ve also en­tered other com­pe­ti­tions?
Yes, I did but once I had done Op­er­alia, I stopped en­ter­ing com­pe­ti­tions. I couldn’t top that one.
You per­form all over the world. How long are you away when per­form­ing?
I’m away from my fam­ily for at least one month. We re­hearse for 3 weeks and then we have per­for­mances.
What’s your most mem­o­rable per­for­mance?
I can’t say, when you’re singing, you’re to­tally in love with that role you are play­ing. You can’t choose one role over an­other. It’s like your chil­dren, you love them all.
How do you pre­pare to change roles and be­come that per­son on stage?
That’s quite dif­fi­cult. Some­times I pre­pare trouser roles, which means I’m a boy on the stage. It’s re­ally dif­fer­ent and can be re­ally dif­fi­cult. I try to find the main line of the char­ac­ter within the music. I read a lot of sto­ries about the char­ac­ter, about the pe­riod, about every­thing. We have to, we are a lot of singers and we have to per­form in our very own way.
The act­ing part in an opera is huge as well, it isn’t just the singing. Is there any­one who can sing but can’t act?
No. Some years ago, singers weren’t act­ing as much as they do now. But now hav­ing TV, films and In­ter­net we’re used to see­ing very good ac­tors a lot more. We need to have the music plus very good act­ing to make it con­vinc­ing and to show peo­ple that this art is very in­ter­est­ing and that you should come to the opera house.
Has opera de­clined in pop­u­lar­ity over the years?
I think it’s still very pop­u­lar, maybe it isn’t as pop­u­lar as foot­ball! Now some per­for­mances are shown in the cin­ema and peo­ple enjoy com­ing to see live per­for­mances.
What’s next for you?
I’m going back to Geor­gia to bring Cata­lan music to Geor­gia for the first time!
Sign in. Sign in if you are already a verified reader. I want to become verified reader. To leave comments on the website you must be a verified reader.
Note: To leave comments on the website you must be a verified reader and accept the conditions of use.