Books

Waxing lyrical

A philanthropist from the US takes time from her wartime work to paint a picture of Mallorca with her words

Women Trav­ellers in Cata­lan Lands


The beaches of Mal­lorca are as dif­fer­ent as human moods and needs. Each has its form of ex­pres­sion and speaks its spe­cial lan­guage to those who will give at­ten­tive ears. Some pos­sess dig­nity, grandeur, and aus­ter­ity. There are beaches formed for soli­tude, oth­ers for in­ti­macy and gai­ety. Some ex­hale a dark and sin­is­ter prophecy of dan­ger­ous and mys­te­ri­ous things, for the shad­ows of their cliffs fall darkly, and strange echoes beat about them as though from winged things of evil. Else­where there is sunny co­quetry, laugh­ter of waves, songs of birds. The sea dances land­ward, tip­toe with fun, teas­ing the peb­bles with their game of hide-and-seek; creep­ing here, pounc­ing there, and then run­ning away with a back­ward toss of curl­ing crest which throws a golden mist sky­ward.

Then there are those beaches which give rest to the weary. These lie hid­den in still nooks, with­out rip­ple or mur­mur, just mir­rors for the beauty which en­cir­cles them. Peace broods on them with folded wings. Still re­flec­tions of those ram­parts of the sky lie deep within them. The gold and rose of that pageantry of sky is theirs also. No tint is lost; no slow grace of drift­ing cloud is ob­scured. One can eas­ily imag­ine Adam lead­ing Eve to these strands only yes­ter­day and show­ing her these fresh beau­ties which know nei­ther dis­tur­bance nor fear. Gulls rest mo­tion­less on this du­pli­cate of sky and, with heads tucked be­neath their wings, sleep. The pale tinted sands seem never to have been uti­lized for that book of mankind's his­tory which al­ways left the page marred. [...]

There is such a jolly lit­tle beach at Deyá. To reach it, go to Sóller by train (three quar­ters of an hour) or by motor. The rail­road ends at Sóller. Then drive to Deyá on a road, wor­thy of Hyde Park, which skirts the coast. Far be­neath spreads the Mediter­ranean, its sur­face pierced by sword-like promon­to­ries. From the shore moun­tains rise, curve on curve against the sky, sum­mit above sum­mit, suavely in­fold­ing within their em­brace deep ravines and tran­quil val­leys, um­bra­geous with a thou­sand gra­da­tions of green. […]

Deyá is a tiny ham­let perched on the apex of hill over­look­ing a gar­den val­ley. On the crest is a chapel sur­rounded by a shabby and de­light­ful lit­tle gar­den in which sleep the dead, among flow­ers, within sound of the sea, vis­i­ble through a gap in the moun­tain­ous shore. All about the val­ley other moun­tains tower, their crests salmon-pink at sun­set, so­lid­i­fied flame.

At the wee inn on the hill, one finds a man and wife of stern ex­te­ri­ors but well in­ten­tioned. The cell-like rooms are as neat as pins, and the lit­tle ce­mented ter­race, inset with flower-beds, over­hangs the val­ley and tiled roofs below. Ea­gles swing above, and wild ca­naries dart and trill below. The white road winds along the side of the moun­tain on the op­po­site side of the val­ley like a rib­bon, curv­ing in and out among the trees. Fo­liage is every­where, reach­ing to the rose and white sum­mits, and down to the hid­den river. Through the soft air yel­low but­ter­flies float, min­gled with drift­ing al­mond-petals. [... ]

To reach the beach take plenty of time and rub­ber-soled shoes. Also per­haps lunch, for your host at the inn charges but nine pe­se­tas a day (in­clud­ing a de­li­cious wine), which amounts al­to­gether to about a dol­lar and a half! De­scend the steep bit of road from the inn. And on reach­ing the main route, leave it and dip abruptly on the left into a lane among olive and or­ange trees. Fol­low the track, no mat­ter how ec­cen­tric its course, until you reach the stream at the bot­tom of the val­ley, which sings as it runs be­side you, show­ing you the way. Turn often and look back. Trees of every clime shel­ter you, and above tower the moun­tains, their sides ter­raced two thou­sand feet for olives.

In an hour you will reach the most adorable of beaches, naïve, in­gen­u­ous. No sand here. It is too sturdy for such pret­ti­ness. Yet it is very small, not more than two hun­dred yards of curve, which ends on ei­ther side at per­pen­dic­u­lar cliffs, which curve to­ward one an­other at their ex­trem­i­ties until the wee har­bour is al­most land­locked. To the right a path is faintly dis­cernible climb­ing the pre­cip­i­tous cliff to where a stone tower stands. By all means, after lun­cheon, fol­low the path along the coast. You will want to buy the tower, com­plete it, and live there for the rest of your life, but, alas, noth­ing can per­suade the owner to part with it.

NINA LARREY DURYEA

Nina Larrey Smith Duryea (1869-1951), daughter of the Boston merchant and abolitionist Franklin Waldo Smith and his wife Laura Bevan, was born in Cohasset, Massachusetts, and was educated in New England and Europe, where the niece of the Duke of Norfolk introduced her to London society. A keen socialite, in 1898 she got married in New York to Chester Burrell Duryea, the son of General Hiram Duryea, a Civil War veteran turned millionaire thanks to the starch business, but her marriage proved unhappy as her husband frequently abused her. She left him in September 1901 and only after a disputed separation suit did she manage to obtain the divorce in 1904. She settled in Paris and began a writing career which produced titles like Among the Palms (1903), The House of the Seven Gabblers (1911) and The Voice Unheard (1913). In late July 1914, hundreds of Belgium refugees fleeing from the German attacks compelled her to create the Duryea War Relief Fund. Thanks to successful fundraising campaigns in the United States, Duryea and her team fed starving refugees, assisted labouring mothers, clothed lost children and tended thousands of wounded soldiers behind the front line. At the end of World War I, she continued her relief work, insisting on the need to help Europe get back on its feet. The French government entrusted to her group the work of reconstruction in the city of Lille, and awarded her with the Legion of Honour.

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