Interview

Redemption from evil

You've just re­leased the film, The Evil that Men Do, shot in Eng­lish.
Yes, it's my first film in Eng­lish. It hap­pens at the bor­der be­tween Mex­ico and the US, we shot in Mar­torelles, a small vil­lage near Barcelona. The team was Cata­lan but the script was in Eng­lish and in the cast we had Eng­lish-speak­ing ac­tors such as An­drew Tar­bet or Daniel Far­aldo, who is from Los An­ge­les.
You were born in Lleida, where ex­actly?
From a very tiny vil­lage, Bell­munt de Segarra, there are only 50 peo­ple. In my fam­ily there are seven of us. I love going back there for Christ­mas and as often as I can.
How did you switch from Phi­los­o­phy to film?
Ac­tu­ally, I started Eco­nom­ics and I stud­ied that for two years, but I was un­happy, so I went back home and told my par­ents I wanted to do some­thing else, and I started Phi­los­o­phy and after two years started film stud­ies, in par­al­lel. It was good, be­cause the two de­grees had a con­nec­tion: every film has an ide­ol­ogy, and it's all about the human con­di­tion. I've made five films so far, and they are not just for en­ter­tain­ing, but re­flect on moral­ity and so­cial dilem­mas.
So why is this film in Eng­lish?
Here we've tried to do some­thing dif­fer­ent in terms of the mar­ket, be­cause all the in­dus­try that sells films world­wide is in Eng­lish. It is re­ally dif­fi­cult to sell a film over­seas in Cata­lan, or even in Span­ish. With my pre­vi­ous film Cat­alo­nia Über Alles I maybe went to 25 fes­ti­vals, but that doesn't mean sales. So we are try­ing to sell this film around the world, and we have a Cana­dian com­pany in charge of that, with good ex­pec­ta­tions.
You de­scribed the film as a moral narco-thriller.
Yes, it's not just about nar­cos and shoot­ing peo­ple, it's about vi­o­lence and the limit of cru­elty. We are sur­rounded by too much vi­o­lence: on TV, in the news...The film is about a drug deal­ers and mer­ce­nar­ies, who carry out or­ders. One day they re­ceive a dif­fer­ent, un­ex­pected de­liv­ery. It's a story of love, be­trayal, re­li­gion and vi­o­lence.
It has been said it has el­e­ments of Break­ing Bad or Taran­tino's Reser­voir Dogs.
In my opin­ion, it has more el­e­ments maybe of Polan­ski, in terms of psy­cho­log­i­cal ter­ror. The way char­ac­ters try to ma­nip­u­late each other, it cre­ates a psy­cho­log­i­cal ten­sion which is more fright­en­ing than phys­i­cal, ex­plicit vi­o­lence.
The title of the film is a quote from Shake­speare's Julius Cae­sar. How come?
Each act we do, and any evil act that we do, has con­se­quences, vi­o­lence gen­er­ates more vi­o­lence. We are re­spon­si­ble for our acts. In the film, vi­o­lence can­not be jus­ti­fied with the ex­cuse of obey­ing or­ders. In the mo­ment you com­mit an evil act, it is your re­spon­si­bil­ity, and it has con­se­quences. This is the idea be­hind the title.
Where did the idea come from?
It started from the set­ting, this huge ware­house. We thought it was an amaz­ing place to shoot a film. I showed Daniel the space and he loved it. He had the idea of mer­ce­nar­ies and re­demp­tion, and I had the idea of a film about a child kid­napped by the mafia.
The char­ac­ter of the in­no­cent girl among all those mer­ce­nar­ies and drug deal­ers...
It al­lows us to talk about the lim­its of vi­o­lence. I have never seen so much vi­o­lence be­fore in my life. On TV, all the news about the refugees, ter­ror­ism in Paris, it's ter­ri­ble. And straight after we watch the sports news. I feel we need to re­flect and react. Oth­er­wise, what comes next? This is what my film wants to re­flect on: “Do we have a limit or not?” Are we con­demned as a species and just have to wait for our final hour, just like my char­ac­ters in the film?
Is there any space for re­demp­tion?
Yes, this was my idea, al­though it is not easy to em­pathise with such bad char­ac­ters. I can't imag­ine any­thing worse than cut­ting peo­ple into pieces as a job. But as the film goes on you can see that there is place for re­demp­tion, even for these bad peo­ple.
Which fes­ti­vals are you going to take the film to?
We started in Mon­treal and we found a very en­thu­si­as­tic au­di­ence and a good re­sponse. Next, we are going to Chicago in April to the Latino film fes­ti­val, and then to fes­ti­vals in Cat­alo­nia and Spain, as well. I like the con­tact with the au­di­ence, I learn a lot from the Q&A ses­sions.
You al­ready started work­ing on your next pro­ject, based on a book by crime nov­el­ist An­dreu Martín.
In­deed, So­ci­etat negra, and we've just fin­ished the script. It's ready for shoot­ing, and we are try­ing to get a co-pro­duc­tion with an US part­ner. It's a com­edy thriller, about the Chi­nese mafia in Barcelona, full of black hu­mour and with bad guys who are also very human. It will also be shot in Eng­lish, with a multi-eth­nic cast.
Ramon Térmens Each Wednesday at 7.10 pm, El Punt Avui TV airs the series of interviews, Catalan Connections. Marcela Topor talked to Ramon Térmens, director of the film The Evil that Men Do.
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