Books

A quiet pilgrimage

A South African born writer takes us along with her on a pilgrimage to Mallorca's sacred monastery of Lluc

Women Trav­ellers in Cata­lan Lands


We crept through the nar­row streets of Pol­lensa town, only a shade less des­o­late than usual in the bright morn­ing, and im­me­di­ately be­yond seemed to tra­verse one of those old heroic pic­tures of clas­sic land­scape, as we shot under the monastery of Nues­tra Señora del Puig tow­er­ing up on her high rock. The round­about road on the flat lay through the fa­mil­iar Puebla and Inca, and the very beau­ti­ful un­fa­mil­iar vil­lage of Selva, where the colour of the lemons seemed more than usu­ally lovely against the old ivory houses; then it climbed up and up through steep, washed ter­races on the other side of those peaks that we had watched ap­pear­ing and dis­ap­pear­ing from the boat in Pol­lensa Bay.

Lluch lies not in a cup, but in a saucer, among the very peaks. It lies, that is, not in a steep close hol­low, but in a plateau, swing­ing like a great, gen­tly-sag­ging cloth be­tween the tops of the moun­tains. It was beau­ti­ful, through very un­ex­pect­ed­ness, to find it not a lit­tle steep build­ing cling­ing to a windy apex, but a great wide set­tle­ment. The inner walls were rem­i­nis­cent half of cas­tle, half of farm-house, and the arched stone gate­way, ad­mit­ting to the solid dig­ni­fied façade of the monastery, looked out through a row of trees upon a vast court­yard of cob­bles and grass, with a foun­tain in the mid­dle and low build­ings lin­ing the sides. Since it was only mid­day of the vigil, we were the first pil­grims to ar­rive. [...]

The monastery was also a guest-house on a grand-scale, mak­ing pro­vi­sion for pil­grims jour­ney­ing from the lim­its of the is­land. The long build­ing fac­ing the court was en­tirely taken up with guest-rooms, and one side of the court­yard oc­cu­pied with an ar­cade of very po­et­i­cal bil­lets for guest-don­keys or mules. Op­po­site them were the dwellings of what pop­u­la­tion the monastery sup­ported, with two tiny shops like tuck-shops, in the care of or­tho­dox spec­ta­cled old women, and filled with the or­tho­dox an­cient ed­i­bles in glass jars. Be­hind the guest-house was a beau­ti­ful inner court, with a hedge and gar­den, re­call­ing the court of an Eng­lish col­lege. There was no sign of human habi­ta­tion any­where, only a savoury smell of fry­ing and onions which in­di­cated an arroz and drove us out rather en­vi­ously to our self-brought lunch on the hill-side.

It is beau­ti­ful to sit among the peaks that one has watched prick­ing the sky from below, and beau­ti­ful to see how the very last earth cling­ing pre­car­i­ously to the rock still per­sis­tently teems and flow­ers. Every brown hand­ful in a crack was a tiny fresh gar­den, blest often with vi­o­lets or just-bud­ding white cy­cla­mens, and ilex trees seemed every­where to spring out of crevices in the sheer rock. The fa­mil­iar grey rock and green grass, olive and ilex, took a strange­ness from the peaks them­selves, for the sides of these were every­where by a ge­o­log­i­cal freak math­e­mat­i­cally scored in straight deep grooves. It was ex­actly as if a giant had worked painstak­ingly over every face of up­right rock on the land­scape with an elec­tric drill. [...]

In the late af­ter­noon, ap­prised of human oc­cu­pa­tion by the sight of a very old man in a goat-skin and a very young boy in a sailor-suit and a bou­quet of vi­o­lets, we sought out a lit­tle round lay sac­ristan with keys and told him our plans. He seemed de­lighted to en­ter­tain us, and gave us bed-cov­er­ings out of a room where there were larger presses and more linen than the greed­i­est house-wife ever dreamed. He also in­sisted that we should need a guide and a mule for Soller, and un­der­took to pro­duce them both. In the evening we ate our meal in the fonda of the monastery, in com­pany with a troop of boy cy­clists and waited on by the sec­ond fault­lessly beau­ti­ful woman we had seen in the is­land. She was not fair, like our Iphi­ge­nia, but of pure dark colour­ing with curved fea­tures, one of those in whom a touch of Africa seemed to have sur­vived through the cen­turies. She moved grace­fully, shawled and hooded, round the bare table, and lent a bib­li­cal beauty to the meal. Af­ter­wards we walked again in the di­vine, keen air among the strange peaks and the olives over which the moon was fling­ing a beauty holier and older than bib­li­cal, and heard the frogs in the still­ness in­stead of the sheep-bells. Over the pure up­lifted land­scape with its night scents and sounds was the still sa­cred­ness of a vigil; only no feast could dawn in beauty fit­ting to suc­ceed it.

Ada May Harrison

Born in Port Elizabeth (South Africa), Ada May Harrison (1899-1958) received a sound education that prepared her well for her future writing career. Her father, a merchant, and her mother, a teacher, first schooled her in South Africa but afterwards sent her to London and finally to Newnham College, in Cambridge, where between 1918 and 1921 she studied modern and medieval literatures. After graduating she took some teaching posts, did some research in Italy and published her first book, Some Tuscan Cities (1922). In July of 1924 she married the artist Robert Austin, whom she had met earlier in Italy, and they returned to England in 1926. They settled in a house on Chiswick, overlooking the Thames, and eventually would have a son and two daughters. Harrison never stopped writing and on several occasions even collaborated with her husband, who beautifully illustrated some of her books. In addition to producing newspaper articles and collaborating in the radio programme Woman's Hour, she found time to publish two novels, five children's books and the travel books Some Umbrian Cities (1925), A Majorca Holiday (1927) and There and Back (1933). Her book on Mallorca, a common outcrop of the post-World War I passion for the Mediterranean, contains descriptive chapters on all the major sights, including the renowned monastery of Lluc: the sacred landmark at the represents for the Mallorcans what Montserrat means to the Catalans.

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