Opinion

Shakespeare in Hollywood's golden age

Angel Llàcer and Manu Guix take to the stage of the TNC's Sala Gran with an adaptation of Much Ado about Nothing, inspired by 1950s American films with the music of Cole Porter

Until No­vem­ber 29, the Sala Gran of the na­tional the­atre, the TNC, will host a con­tem­po­rary ver­sion of Shake­speare's ro­man­tic com­edy, Much Ado About Noth­ing (Molt soroll per no res, in Cata­lan). Yet this ver­sion is in­spired by 1950s Amer­i­can films, with the music of Cole Porter. It is a case of a clas­sic com­edy turned into a mod­ern mu­si­cal and an orig­i­nal pro­duc­tion set in Hol­ly­wood's golden age, which aims to be an ode to life and deals with the frag­ile bar­rier be­tween friend­ship and love, ac­cord­ing to the cre­ators of the show: Ângel Llàcer, artis­tic di­rec­tor, for the first time work­ing with the TNC, and mu­si­cal di­rec­tor Manu Guix.

In fact, this au­tumn brings lots of shows ded­i­cated to Shake­speare to the world of Cata­lan the­atre. Much Ado About Noth­ing at the TNC co­in­cides with Amor & Shake­speare, an adap­ta­tion by Guillem-Jordi Graells and Josep Maria Mestres. Not to men­tion De­clan Don­nel­lan's adap­ta­tion of Mea­sure for Mea­sure, by the Russ­ian branch of the Cheek by Jowl the­atre com­pany, which has been re­cently been on at Tem­po­rada Alta fes­ti­val at the end of Oc­to­ber.

Much Ado

Molt soroll per no res is a big for­mat show for all the fam­ily, and is aimed at a large au­di­ence. (school ses­sions are pro­grammed for Wednes­days). Fea­tur­ing a cast of 15 ac­tors and a dozen mu­si­cians, dur­ing the two and a half hours the show lasts, the cast mem­bers play dif­fer­ent parts and wear a total of 98 dif­fer­ent cos­tumes. Most of the stage set­ting and cos­tumes come from the the the­atre's wardrobe ware­house, which helps to make the pro­duc­tion as eco­nom­i­cally vi­able as pos­si­ble.

Most artists from the cast have never been in a mu­si­cal be­fore, which pro­vides an added chal­lenge. David Verda­guer and Beat­riz Se­gura stand out among the ac­tors, as well as Lloll Bertran, play­ing the part of a styl­ish artist who hasn't man­aged to achieve suc­cess in Hol­ly­wood. The cast is com­pleted by Clara Al­tar­riba, Oriol Burés, Enric Cam­bray, Jordi Coll, Bernat Cot, Al­bert Mora, Òscar Muñoz, Aida Oset, Victòria Pagés, Marc Pociello, Al­bert Triol and Àngel Llàcer, the lat­ter in the part of the di­rec­tor of the Hol­ly­wood film pro­duc­tion in the play.

Stag­ing a Shake­speare adap­ta­tion in the Sala Gran has be­come an es­tab­lished op­tion at the TNC. Last year, the na­tional the­atre hosted Joan Ollé's adap­ta­tion of A Mid­sum­mer Night's Dream (El somni d'una nit d'estiu, in Cata­lan), al­though it only filled 55% of the seats avail­able (al­beit some 21,000 peo­ple), which had a no­table ef­fect on the the­atre's bud­get. Mean­while, Molt soroll per no res, which has al­ready sold 28% of the tick­ets avail­able for the sched­uled seven-week run.

The Llàcer-Guix duo is quite pop­u­lar and well-es­tab­lished, and has so far re­ceived crit­i­cal ac­claim for var­i­ous pro­duc­tions, such as El petit príncep, which was a suc­cess last year at Barts. The duo will re­turn for Christ­mas at the Col­is­seum with Qué?, a dar­ing pro­duc­tion for young au­di­ences.

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