Opinion

Long-term resident

Matthew tree

Old Grand-Dad

...a Fiatcarefully plastered with Francoist insignia by artist Núria Güell, was supposed to be driven slowly along the streets of Figueres to remind people that Francoism was still prevalent in Spain, forty years after Franco's death.

Last month, Figueres - suit­ably enough for a town which is home to the Dalí The­atre Mu­seum - hosted a fes­ti­val called Ingràvid ('Weight­less') aimed at pro­mot­ing con­tem­po­rary art that is both ac­ces­si­ble and at­trac­tive to the gen­eral pub­lic. One of the pieces was a Fiat which had been care­fully plas­tered with Fran­coist in­signia by artist Núria Güell, and which was sup­posed to be dri­ven slowly along the streets of Figueres to re­mind peo­ple that Fran­co­ism was still preva­lent in Spain, forty years after Franco's death. I say 'sup­posed', be­cause this par­tic­u­lar move­able in­stal­la­tion was banned by the mayor on the grounds that Fran­co­ism is no longer preva­lent and there­fore parad­ing its sym­bols around town would make no sense. The cu­ra­tor of the fes­ti­val, Ester Pujol, was un­der­stand­ably fu­ri­ous. Even so, I found my­self ask­ing, was the mayor being fab­u­lously ob­tuse, or did he have a point? After all, just how preva­lent is Fran­co­ism today? It's true that in Tor­tosa there's a hideous mon­u­ment to those who fought on the Fas­cist side in the Civil War. And then there's the Fran­cisco Franco Foun­da­tion in Madrid - ded­i­cated to fos­ter­ing a pos­i­tive image of the dic­ta­tor - which has re­ceived gov­ern­ment sub­si­dies from the Pop­u­lar Party (cur­rently in power in Spain). And the rem­nants of the Falange - Franco's equiv­a­lent of Mus­solini's Black­shirts - are still a le­galised po­lit­i­cal party. But that would seem to be about it. So it struck me that Ms Güell might have been over­do­ing it a bit with her em­bell­ished au­to­mo­bile. That night, how­ever, Span­ish pub­lic tele­vi­sion (TVE) broad­cast a prime time in­ter­view by Bertín Os­borne (the War­ren Beatty of Span­ish show busi­ness) and Franco's grand­daugh­ter, Car­men Martínez-Bordiú. The in­ter­view took place in her liv­ing room, which was jam-packed with pho­tographs of the dic­ta­tor as well as some cu­ri­ous paint­ings of women's but­tocks (whose praises Os­borne lost no time in singing). The in­ter­view was clearly in­tended as light en­ter­tain­ment, with the in­ter­viewer field­ing in­nocu­ous, feath­er­weight ques­tions (“Your grand­fa­ther was the most pow­er­ful man in Spain; how do you feel about that?”). In­deed, Os­borne and Martínez-Bordiú chat­ted and laughed about the lat­ter's grand­fa­ther as if he'd been just one more gra­cious old gen­tle­man, with not the tini­est al­lu­sion to him being re­spon­si­ble for over 200,000 deaths - many of them ju­di­cial mur­ders (not least, that of the Cata­lan pres­i­dent Lluís Com­pa­nys in 1940) - or his hav­ing ru­ined the lives of mil­lions of cit­i­zens thanks to his in­sis­tence on run­ning a re­lent­lessly Fas­cist regime right to the bit­ter end. Ms Güell, per­haps you should get your satir­i­cal car out and start dri­ving: you're needed ur­gently, and not just in Figueres.

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