My Space

Artist

Steve Brown

Steve Brown was born in Chep­stow in the UK in 1943. After leav­ing school, he went on to work for the BBC in the sound de­part­ment. How­ever, for most of his pro­fes­sional life, he worked for him­self in the UK elec­tron­ics in­dus­try. Then, 10 years ago, when he re­tired and came to live here, that all stopped: “There was a huge stock of chips and com­po­nents which, sadly, I had to give away. I used to write soft­ware for mi­cro­proces­sors but there were many tools that I needed for that.”

Steve's re­tire­ment led to a rad­i­cal change of di­rec­tion and he now paints, sat­is­fy­ing his 'techie' in­stincts by de­sign­ing web­sites and doing graphic de­sign: “I love the mix­ture of art and sci­ence. In fact, I like to teach what I would call the tech­nol­ogy of art: colour mix­ing, using dif­fer­ent medi­ums and choos­ing ma­te­ri­als, es­pe­cially paper.”

1. HP CP1700 printer: This is my most prized item as it is quite old and would be im­pos­si­ble to re­pair. It prints up to A3+ paper and card and is ideal for print­ing posters and greet­ings cards. The colour car­tridges are large and they last for ages!

2. Modigliani 260gm paper: I use this paper for all my cards and posters. It has the look of wa­ter­colour paper so I could al­most pass off the posters as orig­i­nals!

3. The plan chest: I bought this in Lon­don many years ago. It keeps things or­gan­ised. I like the colours black and red and, when I saw the chair in Cal Rei in Girona, I couldn't re­sist it!

4. Com­puter: I use Adobe Il­lus­tra­tor, In­De­sign and Dreamweaver (web-de­sign). Not for­get­ting Pho­to­shop, which is an es­sen­tial tool.

5. Wacom Tablet: If I want to draw lines di­rectly into Il­lus­tra­tor I can do it with this tablet but I pre­fer to draw sim­ple draw­ings and scan them in­stead. You can see the scan­ner be­hind the screen.

6. The cam­era is a Nikon One J1: I have three lenses. My favourite is a fixed wide-angle lens equiv­a­lent to 28mm in the old 35mm film for­mat.

7. The mitre saw is for cut­ting frames from pro­files, which are made for me in Celrà.

8. Oil and acrylic paints Oil is the most ex­cit­ing of the medi­ums but I make sure to use a low odour medium, such as Win­sor and New­ton Liquin which ap­pears dark red in the photo. I often use gloss medium with my acrylics which gives the paint both body and gloss. You can see the bot­tle next to the tubes. For the oils, I use tough­ened glass as a pal­let and paper ve­g­i­tal for acrylics. Under the paper is a wet sponge which pre­vents the paints from dry­ing.

9. My wa­ter­colour paints:I use artists' qual­ity wa­ter­colours in both pans and tubes. Pans are more con­ve­nient but have the dis­ad­van­tage of being con­t­a­m­i­nated with other colours. Al­most all my paints are W&N.

10. My brushes: I use ex­clu­sively Es­coda brushes, which are made in Barcelona. They are bril­liant and I even swapped emails with one of the Es­coda fam­ily when I needed ad­vice!

www.​stevebrown.​es

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