Features

London’s latest headline comedian is Catalan

Sergi Polo from Barcelona has become a regular on the comedy scene in the British capital with a routine entirely in English

From his room he can hear the au­di­ence ar­riv­ing at the Bill Mur­ray Com­edy Club on Raleigh Street, a res­i­den­tial road in the Angel neigh­bour­hood of north Lon­don. The win­dow is half open even though it is al­ready dark. Sergi Polo is sit­ting on a sofa with his legs propped up on a table and he is look­ing at a lap­top with an hour to go be­fore he is due on stage to de­liver his mono­logue. Sergi is Cata­lan but at just 29 years of age has be­come a head­liner on the Lon­don com­edy scene. And with an act in Eng­lish.

Sergi is one of two ten­ants who live in the the­atre. The other is James, an Irish co­me­dian, who also has a room on the third floor. The kitchen is on the sec­ond floor, next to the dress­ing rooms. Every time he goes out, he has to go past the stage and this helps keep the dream that brought him to Lon­don alive.

“This is the best venue I have ever per­formed in be­cause of the seat­ing arrange­ment, the low ceil­ing, the acoustics and be­cause the au­di­ence is very close,” he says. The club holds a hun­dred peo­ple and is al­ways full. There are per­for­mances eight times a day, and Sergi has done five in one af­ter­noon.

Dis­tant voices can be heard from the street below. Sergi now un­der­stands Eng­lish, but eight years ago when he ar­rived, he didn’t speak the lan­guage. “I re­peated my final sec­ondary school exams twice be­cause I al­ways failed Eng­lish,” he says. He pre­pared his first mono­logues in Cata­lan and trans­lated them using Google Trans­late. “I knew the mono­logue by heart in Eng­lish, but I couldn’t speak to the pro­moter,” he ex­plains.

The most sur­pris­ing thing to him is that de­spite the lan­guage lim­i­ta­tions the au­di­ence laughed. “I guess being from Barcelona helped; they love Barcelona here,” he says. He didn’t feel in­tim­i­dated by the au­di­ence be­cause he had been on stage since he was 10 years old, first as a ma­gi­cian and then as an actor, hav­ing stud­ied act­ing in Barcelona. At the age of 20, after fin­ish­ing his de­gree, he packed his bags and went to Lon­don to seek his for­tune as a stand-up co­me­dian. You could say that he learned Eng­lish on stage. “Every word I use in Eng­lish has been in one of my jokes be­fore,” he con­fesses.

Emerg­ing co­me­di­ans

The British pub­lic broad­caster BBC has in­cluded him among the 14 most im­por­tant emerg­ing co­me­di­ans in the coun­try in Eng­lish. And he won an award for best co­me­dian in West York­shire, in the north of Eng­land. He is the only Cata­lan who is pro­fes­sion­ally ded­i­cated to com­edy in the UK.

“Here in Lon­don it’s very easy to get into it be­cause you can per­form four or five times a day and at the end of the month get a de­cent salary,” he says. There is a very strong com­edy cir­cuit in Lon­don with venues like the Com­edy Store, Up the Creek, Top Se­cret or the Soho Com­edy Fac­tory, where he per­forms reg­u­larly. “The clubs are al­ways full,” he says, “be­cause here peo­ple don’t go to see a par­tic­u­lar co­me­dian but go to that place be­cause they know it has in­ter­est­ing co­me­di­ans.”

Sergi checks his emails on his lap­top. The room is small with a bed, wardrobe, sofa and table. A folded bi­cy­cle leans against the wall under the win­dow. Over the sofa is a framed paint­ing of his grand­mother Natàlia’s Barcelona apart­ment. As a child, Sergi went there after school to prac­tise his magic tricks. It was a spa­cious apart­ment where he kept the cards, boxes, de­vices, hand­ker­chiefs and ropes that he in­her­ited from his grand­fa­ther, who died when he was eight. Sergi will be back in Barcelona to per­form in May, and grandma Natàlia will be in the front row.

On the club’s fa­cade are mu­rals with the faces of fa­mous co­me­di­ans: Bill Mur­ray, Richard Pryor, Whoopi Gold­berg and Rowan Atkin­son. The the­atre was a bank­rupt pub ac­quired in 2016 by Barry Ferns and other co­me­di­ans to ded­i­cate it to com­edy and to give a chance to mono­loguers like Sergi, who was start­ing out at the time. As part of the Angel Com­edy Club net­work it has be­come a pop­u­lar com­edy venue. “For me it’s a home, gym (where I prac­tise my jokes), work­place and par­adise,” says Sergi.

Ferns is the com­pere for the af­ter­noon show that fea­tures five British mono­loguers and Sergi Polo, who is last on stage. The room is full. Sergi re­mem­bers the times he per­formed in half-empty venues. Once he de­cided to stop a show be­cause no one was laugh­ing. “I asked the au­di­ence, ‘Do you want to leave?’ be­cause I do want to leave,” and sud­denly they started laugh­ing and the en­ergy changed,” he says. He al­ways seeks di­a­logue with the au­di­ence, know­ing what they want: “Some­times they want black hu­mour; other times, you tell them jokes; other times, you in­ter­act with them.”

fea­ture En­ter­tain­ment

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