Interview

Joaquim Uriach

President of the Palau de la Música Catalana

“Some people still don’t know the Palau”

Al­though he be­came pres­i­dent of the Palau de la Música a year and a half ago, co­in­cid­ing with the pre­sen­ta­tion of a new strate­gic plan, Joaquim Uri­ach (Barcelona, 1966), a busi­ness­man in the phar­ma­ceu­ti­cal sec­tor and a lawyer, is only now giv­ing his first in­ter­views. He is op­ti­mistic about the fu­ture not only of the Palau but also of Barcelona it­self.

How did your re­la­tion­ship with the Palau begin?
Like so many other mem­bers, thanks to my grand­fa­ther, who took me there when I was 14 or 15. I’ve al­ways liked music, and I think I’m sen­si­tive to it. I started play­ing the piano when I was 17. At school, for ex­am­ple, some peo­ple couldn’t stand music class, but I loved it. My grand­fa­ther went to fes­ti­vals in places like Lucerne and Bayreuth, and he took me to the Salzburg Easter Fes­ti­val when I was 14. I loved it. Von Kara­jan was di­rect­ing with those hands he had, and it was spec­tac­u­lar. And I’ve never for­got­ten that Par­si­fal ei­ther. So it was my grand­fa­ther who showed me this world be­fore any­one else....
What Palau did you find last year when you be­came pres­i­dent?
A very well or­gan­ised one. And then, also, a very pro­fes­sional team that, de­spite hav­ing been at the board meet­ings, I didn’t know at all. I was also im­pressed by the great re­spect that con­cert halls of the high­est Eu­ro­pean and world order have for the Palau, as well as the artists who come to per­form there.
Fif­teen years after the Fèlix Mil­let fi­nan­cial scan­dal, has the Palau fully re­gained peo­ple’s trust?
Yes. One of the good things about Mar­i­ona Carulla’s time as pres­i­dent was man­ag­ing to re­gain that trust. This is a very solid in­sti­tu­tion and, de­spite the se­ri­ous­ness of what hap­pened, it man­aged to main­tain that trust, as ev­i­denced by the fact that we have grown, both in num­ber of mem­bers and funds. Num­bers aside, though, I no­tice that so­ci­ety in gen­eral loves the Orfeó Català, the Palau... and wants things to go well.
In the pre­sen­ta­tion of the new strate­gic plan a few weeks ago, you de­scribed it as am­bi­tious and full of great as­pi­ra­tions. Which would be the most im­por­tant?
To make the Palau even more uni­ver­sal. That would be a sum­mary of the plan. We’ve al­ways had the de­sire to com­bine the uni­ver­sal with the local, and this is some­thing we would like to con­tinue in­flu­enc­ing in the fu­ture.
You have also set the goal of in­creas­ing au­di­ence num­bers by a few tens of thou­sands. How will you achieve that?
Well, there are mar­ket­ing tools to ac­cess and at­tract au­di­ences. We know, for ex­am­ple, that about 80% only come once a year. These are peo­ple who know for sure that they love the Palau and music, but we must work to make them come more often. And, on the other hand, there are many who still don’t know the Palau and who would love it. There are times when you talk to cer­tain peo­ple, and when they tell you they’ve never been, you think, “Wow, has some­one like you re­ally never been to the Palau?” I can un­der­stand that some­one from a town in Cat­alo­nia far from Barcelona has never set foot in it, but there are other peo­ple who frankly sur­prise me.

In­ter­view CUL­TURE

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