Interview

Dr Montserrat Verdaguer

President of the Tom Sharpe Foundation and executor of the wirter's estate

Sharpe’s legacy

How did the Tom Sharpe Chair come about?
This pro­ject is the cul­mi­na­tion and the start of the ful­fill­ment of Tom Sharpe’s will, in which he leaves me as the ex­ecu­tor of his work. He wanted his work to be kept as a whole, and he wanted a foun­da­tion cre­ated in order to do that. We cre­ated the foun­da­tion, then he left all his legacy to the Uni­ver­sity of Girona. I went to Cam­bridge three times to bring more doc­u­ments that the fam­ily gave us. Every­thing is now at the Uni­ver­sity of Girona. Since his death, at the Tom Sharpe Foun­da­tion, we’ve been pro­mot­ing his work and we felt that it was time to go a step fur­ther, that is, to pro­mote the Eng­lish lan­guage and lit­er­a­ture. As there are no stud­ies of Eng­lish lit­er­a­ture and lan­guage at the Uni­ver­sity of Girona, we con­tacted the Uni­ver­sity of Barcelona to sign a col­lab­o­ra­tion agree­ment so that stu­dents could do cur­ric­u­lar prac­tise at the Uni­ver­sity of Girona and cre­ated a chair, so that in Girona it be­comes pos­si­ble to study not just Tom Sharpe’s work, and hu­mourous lit­er­a­ture, but Eng­lish lan­guage and lit­er­a­ture in gen­eral.
What do these stud­ies con­sist of and what are your goals?
There are two parts: stud­ies on the legacy of Tom Sharpe, not just the books he wrote but many other writ­ings on top­ics in­clud­ing the South African pe­riod, the Sec­ond World War, phi­los­o­phy, pol­i­tics, psy­cho­analy­sis, and so on. Then, we want to pro­mote Eng­lish lan­guage and lit­er­a­ture in the uni­ver­sity and among read­ers in gen­eral. Apart from that, there will be agree­ments with the In­sti­tute of Ed­u­ca­tion Sci­ences and the Mod­ern Lan­guages Ser­vice of the Uni­ver­sity of Girona. And we plan to get in touch with other uni­ver­si­ties in Cat­alo­nia and abroad to in­ter­na­tion­alise Tom Sharpe’s work. We signed the agree­ment on­line on May 20 and Xavier Pla, who is also the di­rec­tor of the Josep Pla Chair, will be the di­rec­tor of the new Tom Sharpe Chair. The of­fi­cial pre­sen­ta­tion will hope­fully be in Sep­tem­ber.
All that is in ad­di­tion to the work you are doing at the Tom Sharpe Foun­da­tion.
In­deed, our main ac­tiv­ity so far has been or­gan­is­ing read­ing clubs in li­braries, and we are doing this with the help of the writer Miquel Mar­tin i Serra.
You were Sharpe’s right hand for many years. How did you meet him?
I met him in 1996 and we worked to­gether until he died in June 2013. We met at the Hotel Ll­e­vant, as a doc­tor, when one day he didn’t feel well. My hus­band was a pho­tog­ra­pher and we be­came friends with all the Cata­lan and Eng­lish guests stay­ing at the hotel. He then bought a house in Llafranc and I started to help him with his cor­re­spon­dence, and so on.
Why did he choose to come here and what made him stay?
He came here for the first time in April 1992, through the Carme Bal­cells lit­er­ary agency, for an in­ter­na­tional lit­er­ary con­gress in Barcelona. He was suf­fer­ing from writer’s block and was look­ing for a quiet place, and Bal­cells rec­om­mended the Hotel Ll­e­vant to him. He went there, loved it, and he stayed. I al­ways imag­ine him in Llafranc on a day in April, with al­most no one around, just a bit of tra­muntana wind, in that hotel that he loved, and him say­ing, I’ll stay here. It was like love at first sight.
Is there any­thing left to do after the chair?
I’m con­tent to have been able to ful­fill his wish, which was that his legacy stay in Cat­alo­nia. Now what re­mains to be done is his bi­og­ra­phy, which is un­der­way. He also put it in writ­ing that he wanted me to pub­lish his bi­og­ra­phy. I took notes every day from 2001 of what he used to do, say, write. I have writ­ten down all of the Cat­alo­nia part. It’s a lot of work, start­ing from the be­gin­ning, with the South African part, which for me is very in­ter­est­ing, then Cam­bridge, his time as a pho­tog­ra­pher, as a writer, and he was very in­ter­ested in psy­cho­analy­sis, and so on. It’s a com­plex bio, which hope­fully will be pub­lished in a year.

in­ter­view

Sharpe awarded a chair

Tom Sharpe, a writer who has most satirised academia, now has his own university chair. The Tom Sharpe Foundation, based in Palafrugell, and the University of Girona (UdG) – where the writer’s legacy, including manuscripts, typescripts, photographs and books, is now deposited – have signed a collaboration agreement to guarantee sponsorship of the new chair, which will be officially presented in September.

The aim of the agreement is to promote teaching and research on Sharpe and his work, as well as disseminating English language and literature among the university community and the general public, via agreements with the UdG’s Institute of Education Sciences and Modern Languages Service. For Palafrugell, also home to the Josep Pla Foundation, the establishing of the Tom Sharpe Chair represents great cultural prestige. In addition, the two chairs will have a shared director, literature professor Xavier Pla.

The project began to take shape on December 2, 2019 at a meeting between the Mayor of Palafrugell, Josep Piferrer, Xavier Pla, and the foundation’s president, Montserrat Verdaguer, the doctor who treated Sharpe in Palafrugell and whom he appointed executor of his legacy.

Since 2016, the Tom Sharpe Archive has formed part of the personal collections stored at the University of Girona’s Barri Vell library, which has also been responsible for cataloguing the collection. Tom Sharpe arrived in Llafranc in April 1992 and made it his habitual residence until his death on June 6, 2013. It was here that he wrote his last books, Wilt in Nowhere, The Gropes, and The Wilt Inheritance.

Eva.Vazquez.

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