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Ingrid Teixidor

Celler Oliveda

Ingrid Teixidor

A de­scen­dant of wine-mak­ing an­ces­tors, In­grid was born and raised under a vine. She stud­ied tourism and for­eign lan­guages, and for 17 years has been part of the team at the Oliveda win­ery, founded in 1948 by Josep Oliveda and Joana Rigau Ros, pro­duc­ers of qual­ity wines and cavas.

In­grid is now the per­son charged with run­ning the busi­ness along with her hus­band, J. Al­fons Freixa i Oliveda, and to­gether they have turned the win­ery into a more dy­namic and in­no­v­a­tive com­pany, a pi­o­neer in the sec­tor, through the cre­ation of more mod­ern, more ex­pres­sive, trendier wines that have opened their doors to new mar­kets and younger gen­er­a­tions. Here, In­grid shares some of the more no­table el­e­ments of her work at the win­ery.

1. Ul­lones paint­ing.
This paint­ing of the Twin Sis­ters ac­quired in 2013 was love at first sight. A strik­ing, dar­ing work of art that con­veys fun and a pro­jec­tion of the fu­ture, while fus­ing art and wine. For me, it rep­re­sents an im­passe, the cre­ation of a new wine, a 100% Grenache rosé with a pale colour, fruity, sweet and acidic. And the be­gin­ning of a friend­ship with the two painters from Camós.
2. Wooden cava rack.
I re­ally iden­tify with cava. The first po­si­tion I had in wine-mak­ing was CEO for the cava maker Freixa Rigau. The bot­tles need pa­tience and time to fer­ment and ma­ture in the racks, so they rest and in­te­grate the yeasts into the base wine, and are then poured and put on the ta­bles of din­ers, where they give all their ex­pres­sive­ness, joy and pride at being open.
3. Bot­tle of un­der­wa­ter cava.
This is a bot­tle of cava that was left to fer­ment at the bot­tom of the sea. A very ro­man­tic, in­no­v­a­tive and am­bi­tious pro­ject, since it was the first cava aged at the bot­tom of the sea with its sed­i­ment. All of the 89 bot­tles that were fer­mented under the sea were tasted at a party at the win­ery. You can’t buy one, only try one when we offer tast­ings at the win­ery.
4. Bot­tle of Batec Gran Reserva cava.
This is the first Gran Reserva we have pro­duced at the win­ery, with a pro­duc­tion of 2,000 bot­tles a year, a blend of xarel.​lo and white pinot noir. And my first cava: the label sym­bol­ises a sil­ver heart, with words and lit­tle draw­ings in­side. And my name, In­grid, also ap­pears, since my hus­band and the de­signer se­cretly added it to give me a lovely sur­prise.
5. Bar­rel of tra­di­tional grenache.
Many years ago it was dis­cov­ered that there were very few hectares of red grenache re­main­ing in Cat­alo­nia. We have some of the few ex­ist­ing prop­er­ties in Gar­riguella, through fam­ily in­her­i­tance, on a prop­erty that has al­ways be­longed to my fam­ily, the Teix­i­dor fam­ily. Now it is rest­ing in the bar­rel be­hind me and is part of our win­ery. Since 2010 we have been age­ing them in the bar­rel to be able to offer the mar­ket a tra­di­tion­ally sweet grenache under the name Puig de les Guilles.
6. Spot­ted duck.
My son made this in pot­tery class. It brings me good luck and fuses the calm­ness and charm of a duck with the fe­roc­ity of a leop­ard, just like my daily life, where I ex­pe­ri­ence all sorts of dif­fer­ent things.
7. Tap of French ori­gin.
We also have a tap mu­seum at the win­ery, with a col­lec­tion of over 5,000 taps from France, Italy and Spain. It’s a mu­seum ded­i­cated to wine cul­ture, founded by Josep Oliveda, ex­panded by Anna Maria Oliveda (my mother-in-law) and con­tin­ued by us. The French tap has the shape of the fleur de lis on the upper part, which tells you where it’s from. I love ex­plain­ing the tap mu­seum to tourists and vis­i­tors. It’s the place with most his­tory in the win­ery, a place of tra­di­tion, anec­dotes and ex­pe­ri­ences that help us to un­der­stand our his­tory in the world of wine. www. grupo­liveda.com
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