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Punk in a hijab

TV Se­ries

Filmin is a plat­form that hosts small se­ries which are not easy to find on the big plat­forms and prove that in the world of tele­vi­sion, even if it seems im­pos­si­ble due to the ex­ten­sive stream­ing cat­a­logues avail­able, there are still things we have not seen. We are Lady Parts is one of those pleas­ant sur­prises. Be­hind the crud­est Eng­lish hu­mour, the se­ries cre­ates a por­trait of the di­ver­sity ex­ist­ing within the Mus­lim world. A di­ver­sity that from our per­spec­tive is hid­den by clichés and prej­u­dices, but that in a city like Lon­don vi­brates with an un­stop­pable and en­rich­ing pur­pose. Hav­ing pre­miered on Chan­nel 4 in 2021, it is the brain­child of Nida Man­zoor, a British di­rec­tor and writer born into a Mus­lim fam­ily of Pak­istani ori­gin. Her goal when she wrote the script was to show that there is an­other re­al­ity of Mus­lim women and fem­i­nists be­yond arranged mar­riages and ho­n­our killings that is not re­flected on mod­ern-day tele­vi­sion. The writer her­self has ac­knowl­edged that the story she tells in the se­ries is to a cer­tain ex­tent her own.

Thus, her alter ego is the main char­ac­ter, Amina (An­jana Vasan), a quiet day­dreamer who is com­plet­ing her PHD in bio­chem­istry and feels so­cial pres­sure, es­pe­cially from her more tra­di­tional friends, to find a good hus­band.

In her spare time, Amina gives gui­tar lessons to chil­dren with so­cial prob­lems, but she never plays in pub­lic be­cause her en­vi­ron­ment con­sid­ers it for­bid­den (her friends, but not her par­ents, who are much more mod­ern than her). Her undis­guised in­ter­est in a boy she meets on the street makes Amina show up at a mu­si­cal cast­ing or­gan­ised by Saira, the leader of the punk fem­i­nist group Lady Parts. With­out re­ally know­ing what she is doing, Amina ends up join­ing this group made up of very dif­fer­ent women but who have in com­mon their pas­sion for music and the fact that they are Mus­lims and fem­i­nists. They are girls who want to con­quer the stage and who do not hes­i­tate to sing anti-sex­ist an­thems like Volde­mort under my hand­scarf and Bashir with the good beard.

Saira (Sarah Kameela Impey) is the im­pul­sive vo­cal­ist who works in a butcher’s shop by day and lets out all her re­strained anger by singing and play­ing rhythm gui­tar at night. The bassist is Bisma (Faith Omole), a hap­pily mar­ried black mother who draws comics about women who be­come killers when they have their pe­ri­ods. The other mem­ber is the drum­mer, Ayesha (Juli­ette Mo­tamed), an Uber dri­ver who is grumpy about every­thing. And fi­nally there is the man­ager, the mys­te­ri­ous Mon­taz (Lucie Short­house), the cra­zi­est of them all, who never loses hope in the group’s suc­cess. De­spite their dif­fer­ences and fights, these four young women will get Amina to over­come her in­se­cu­ri­ties, post­pone the headaches of look­ing for a hus­band and in­dulge in her pas­sion for music.

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